{"id":148,"date":"2018-08-16T11:09:26","date_gmt":"2018-08-16T15:09:26","guid":{"rendered":"http:\/\/myweb.fiu.edu\/escarbro\/?page_id=148"},"modified":"2018-08-22T00:15:09","modified_gmt":"2018-08-22T04:15:09","slug":"2018-aesthetics","status":"publish","type":"page","link":"https:\/\/myweb.fiu.edu\/escarbro\/2018-aesthetics\/","title":{"rendered":"2018 Aesthetics"},"content":{"rendered":"<p style=\"text-align: center\"><strong>PHI 3800 U02: Aesthetics \u2013 Fall 2018 Philosophy &#8211;\u00a0<a href=\"http:\/\/myweb.fiu.edu\/escarbro\/wp-content\/uploads\/sites\/427\/2018\/08\/2018-Fall-Aesthetics-New-Syllabus.pdf\">PDF Syllabus<\/a><\/strong><\/p>\n<p style=\"text-align: center\"><strong>Instructor: Dr. Elizabeth Scarbrough<\/strong><\/p>\n<p style=\"text-align: center\"><strong>Class: Wednesdays 2-4:45 <\/strong><\/p>\n<p style=\"text-align: center\"><strong>Location: OE 100 <\/strong><\/p>\n<p style=\"text-align: center\"><strong>Office Hours: T\/Th 3:45-4:45 W 1-2, DM340B<\/strong><\/p>\n<p style=\"text-align: center\"><strong>Email: <a href=\"mailto:lizscar@uw.edu\">escarbro@fiu.edu<\/a><\/strong><\/p>\n<p style=\"text-align: center\"><strong>Web Site: http:\/\/myweb.fiu.edu\/escarbro<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Course Description:<\/strong><\/p>\n<p>This class is an introduction to aesthetic theory. While we will spend a considerable amount of time discussing paintings and other objects you would see at a museum, we will also discuss the aesthetics of film, nature, and human beauty. Some of the many questions that will be asked in this class include:<\/p>\n<ol>\n<li><strong>Beauty<\/strong>: What is beauty? Is beauty objective reality, or is it merely &#8220;in the eye of the beholder&#8221; &#8212; i.e. a subjective psychological response that reveals nothing about the real world?<\/li>\n<li><strong>Art:\u00a0<\/strong>What is art? How do we distinguish an art object from other artifacts? What role does\/should art play in society? Who should get to choose public art? Why do fakes and forgeries bother us so much?<\/li>\n<li><strong>Emotions\/ Film:<\/strong> What\u2019s the role of the emotions in art? In film? Why do we get scared when we watch a horror movie (if we know it is fake)? Why do we still find these movies scary after multiple viewings? Why do we enjoy feeling scared, repulsed, etc.?<\/li>\n<li><strong>Nature:<\/strong> Is our aesthetic experience of nature different in kind than our experience of art? Do we do something (morally\/aesthetically) inappropriate if we view nature the way we view a beautiful landscape painting? Can aesthetic arguments be made to protect nature?<\/li>\n<li><strong>Human Beauty:<\/strong> When we say a person is beautiful, what do we mean? Physical beauty? A beautiful soul? How is our perception of human beauty shaped by our culture? By erotic desire? How does gender, race, and sexual orientation inform our concept of human beauty? Is our concept of beauty historically contingent or evolutionarily based?<\/li>\n<li><strong>Jokes:<\/strong> How does humor work? Is it an appropriate object of aesthetic attention? Are any jokes \u201coff limits?\u201d How do racist jokes function?<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><strong>Learning Objectives:\u00a0<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Your skills will be developed and tested in three ways:<\/p>\n<ol>\n<li><strong>Reading Comprehension<\/strong>: involves close reading of all the assigned texts;<\/li>\n<li><strong>Philosophical Writing<\/strong>: involves completing a variety of written assignments designed to teach you how good philosophical writing differs from other familiar types of writing;<\/li>\n<li><strong>Class Discussion<\/strong>: involves actively, respectfully engaging with your peers and instructor about philosophically complex, abstract theories that have implications for how we should make choices and live our lives.<\/li>\n<\/ol>\n<p>Success in this course requires you to prepare yourself for class discussion by reading critically, to defend your own views with reasons and arguments, and to give a good faith effort to develop your philosophical skills, both verbally and in writing.<\/p>\n<p><strong>Aesthetics Specific Learning Objective:<\/strong> It is the aim of this class to equip the student with the tools necessary to make informed and intelligent judgments about art and culture.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Required Texts:\u00a0\u00a0<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Arguing about Art: Contemporary Philosophical Debates-\u00a0<\/em>\u00a0 3<sup>rd<\/sup>Edition, Neill &amp; Ridley editors<\/p>\n<p style=\"padding-left: 60px\">-(You will not need your book until WEEK 7 but please procure a cheap copy of the text before WEEK 7).<\/p>\n<p style=\"padding-left: 60px\">-All other texts available via PDF on Canvas. You must bring these texts to class either as physical copies or on your laptop (not on phones).<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Evaluation Criteria: \u00a0\u00a0<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Late work will be penalized at -1 point a day (or part of a day) unless you have made prior arrangements with me. You may not make up exams, in-class presentation or participation grades without the prior consent of instructor or documented illness\/emergency. In cases of <em>documented <\/em>illness or emergency, contact me as soon as possible to make arrangements.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>100 points possible in the course<\/strong><\/p>\n<p><strong>Attendance and Participation 15 points: <\/strong>\u00a0You are required to attend class sessions. Attendance includes being awake, alert, and prepared. If you miss more than\u00a0<strong>1<\/strong>unexcused class, your final grade will be penalized 3 pts per class you miss. You are being graded on the quality of your contribution to the class.<\/p>\n<p><strong>Discussion Leader 5 points:<\/strong> You will be required to be a discussion leader for one of the articles assigned for this course. You should come prepared with questions to ask your fellow students, and prepared with some examples of artworks \/ aesthetic experiences to relate to your assigned article.\u00a0 This will require you to document your artworks\/ aesthetic experiences in a powerpoint \/ prezi \/etc. that you can share with the class. Detailed instructions to be given in class.<\/p>\n<p><strong>Team Projects 6 points:<\/strong> There will be three \u201cteam\u201d projects during the course of the class. You will be graded individually for your contribution to the project but you are expected to work as a group. Groups will be assigned and you will have a different group for each of the three assignments. Each project is worth 2 points.<\/p>\n<p><strong>Writing Assignments 55<\/strong> points total comprising the following:<\/p>\n<p style=\"padding-left: 30px\"><strong>-Weekly Journal Questions and Reflections 24 points:<\/strong> Attendance includes being prepared with questions. You will be required to write in your online journal (on Canvas). You will be required to write 8 journal reflections (in our 15 week semester). Each journal entry should contain the following three things: (1) a brief (5 sentences) rehearsal of the main argument in the text, (2) two questions about the text, and a brief statement (2-4 sentences) of your opinion. Journal entries are turned in on CANVAS by the start of class. These are designed to encourage class participation and are designed to help you write your papers.\u00a0 Each journal is worth 3 points. Late journals will be accepted at -1 per day.<\/p>\n<p style=\"padding-left: 30px\"><strong>-Final Paper Project Proposal 6 points:\u00a0<\/strong>You will be required to write a \u00a0final paper project proposal. This proposal should include what text(s) you plan to discuss (and a brief literature review), why you think this topic is important, and your thesis statement. You will have to present this project proposal in class. Project proposal due Nov 2<sup>nd<\/sup>, in-class presentation Nov 7<sup>th<\/sup>.<\/p>\n<p style=\"padding-left: 30px\"><strong>-Final Paper Outlines 5 points: <\/strong>You will have to hand in an outline of your final paper on Nov 22<sup>nd<\/sup>(Wednesday before Thanksgiving). You will have the opportunity to workshop your outlines in class. If you want feedback from me on your outline, you must make an appointment with me in office hours in weeks 13 &amp;14. You will receive +2 EC points for coming to speak with me about your outline in office hours. You must book at an appointment for \u201cpaper draft discussion\u201d at escarbro.appointy.com.<\/p>\n<p style=\"padding-left: 30px\"><strong>-Final Paper 20 points:\u00a0<\/strong>There will be one assigned final paper. This paper should be 8-15 pages in length, typed and double-spaced and turned in the Monday after the last day of class.\u00a0 It will take the form of a critical examina\u00adtion of a text selection to be given in class.\u00a0You must demonstrate not only an understanding of the article, but also include a critical appraisal as well. More information about the format of these papers and outlines will be given in class.<\/p>\n<p><strong>Midterm and Final 10 points each (20 points total):<\/strong>There will be two in-class examinations. Each will be worth 10% of your final grade. The final quiz will be cumulative and will occur during our examination period. The midterm and final will be composed of short answer essay questions. The midterm will be take-home while the final will be in-class. FINAL ROOM AND TIME TBD<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Grading Scale: \u00a0\u00a0\u00a0\u00a0<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A = 93-100%, A- = 90-92%, B+ = 87-89%, B = 83-86%, B- = 80-82%, C+ = 77-79%, C = 73-76%, C- = 70-72%, D+ = 67-69%, D = 63-66%, D- = 60-62%, E = 59% and below<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Missed Classes:\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 You can miss one class without penalty. After that, your participation score will go down 3 points per absence. If you miss a class, it is your responsibility to obtain lecture notes from another student. You may not make up in class exams, participation credit, individual or group presentations without the prior consent of instructor or documented illness\/emergency.<a href=\"\/\/3A1530A8-72D2-430B-9C7D-DA6310D86052#_ftn1\" name=\"_ftnref1\">[1]<\/a>In cases of <em>documented <\/em>illness or emergency, contact me as soon as possible to make arrangements.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Class Etiquette:\u00a0<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 I expect you not to disrupt me, or other students, during class. If you are disruptive, I will ask you to leave the class, Disruptions may include texting on your phone, surfing the internet, talking with other students (not about course material), reading the paper, watching videos, doing work for other classes, etc. Disruptions will lower your participation grade. Additionally, I expect you to treat other students (and their opinions) with respect. This includes not recording your fellow students (or me) with consent.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Grading Policy: \u00a0\u00a0<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 You are graded on the merit of your work (not your effort). If you believe you have been graded unfairly, I am willing to look over your work again, but be aware that I will re-evaluate it and provide you with a new grade. This means that there is a chance that your grade may go down because I may decide that I was too generous the first time.<\/p>\n<p>&nbsp;<\/p>\n<p>Late written work will be penalized at 1 point a day (or part of a day) unless you have made prior arrangements with me.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Academic Misconduct:\u00a0<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 Academic misconduct includes cheating, plagiarism, and unauthorized collaboration with other students on assignments. <em>Academic dishonesty disadvantages honest students, and is clearly unfair to hardworking students. Instructors have a duty, therefore, to protect honest students, and to insure that they are not disadvantaged by dishonest students. <\/em>For more information, see FIU\u2019s Academic Misconduct policy (Section 2.44). There are serious consequences for academic misconduct, including suspension and expulsion from the university. <strong>All students suspected of plagiarism will be reported to the Office of Academic Misconduct and receive a \u201c0\u201d on their assignment. <\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Safe Zone Statement:\u00a0\u00a0<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 I am part of the Safe Zone Ally community here at FIU. This means I am part of a network of trained FIU faculty\/staff\/students who are available to listen and support you in a safe and confidential manner. As a Safe Zone Ally, I can help connect you with resources on campus to address problems you may face that interfere with your academic and social success on campus as it relates to issues surrounding sexual orientation\/gender identity. My goal is to help you be successful and to maintain a safe and equitable campus.<\/p>\n<p><strong>Commitment to Disability Access:\u00a0<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 It is my moral and legal obligation to provide students with disabilities accommodations to help them succeed in my classroom. I take this responsibility seriously. You need not disclose to me your disability, but I can work with you to provide accommodations to help you succeed. You may also choose to work with the Disability Resource Center. The Disability Resource Center collaborates with faculty to provide inclusive learning environments. More information may be found at the DRC\u2019s website: drc.fiu.edu.<\/p>\n<p>&nbsp;<\/p>\n<p>Grading at a glance:<\/p>\n<ul>\n<li>\u00a0Attendance \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 15\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 No due date<\/li>\n<li>\u00a0Group projects\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 6\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Part of attendance score\n<ul>\n<li>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 -First group project\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (2)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sept 21<\/li>\n<li>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 -Second group project\u00a0\u00a0 (2)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Oct 17<\/li>\n<li>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0-Third group project\u00a0\u00a0\u00a0\u00a0 (2)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Nov 16<\/li>\n<\/ul>\n<\/li>\n<li>Discussion Leader\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 5\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sign up sheet<\/li>\n<li>\u00a0Journal\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 3&#215;8=24\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Weekly before class<\/li>\n<li>Midterm\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 10\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Oct 10<\/li>\n<li>Project Proposal\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 6\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Nov 2<\/li>\n<li>Paper Outline\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 5\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Nov 21<\/li>\n<li>Final Paper\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 20\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Dec 3<\/li>\n<li>\u00a0Final exam\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 10\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 TBD<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong>TENTATIVE LESSON PLAN<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #0000ff\"><strong>WEEK 1: August 22<sup>rd<\/sup><\/strong><\/span><\/p>\n<p><strong>TOPIC: Introductions, On Beauty<\/strong><\/p>\n<p>Plato\u2019s Symposium selections (in class)<\/p>\n<p>Plato reading (on your own after class)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Suggested reading: <\/strong><\/p>\n<p>-Nehemas, selections from <em>Only a Promise of Happiness<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #0000ff\"><strong>WEEK 2: August 29<sup>th<\/sup><\/strong><\/span><\/p>\n<p><strong>TOPIC: Concepts of beauty and art: Kant and Bell <\/strong><\/p>\n<p><strong>&lt;FIRST GROUPS ASSIGNED&gt;&lt;GROUP ASSIGNMENT ON ARTWORKS AND BEAUTY&gt;<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>-Selections from Kant\u2019s<em>Critique of the Power of Judgment<\/em><\/p>\n<p><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (<\/em><a href=\"http:\/\/www.denisdutton.com\/kant_third_critique.htm\">http:\/\/www.denisdutton.com\/kant_third_critique.htm<\/a>)<\/p>\n<p>-Short selection from Clive Bell (PDF)<a href=\"\/\/3A1530A8-72D2-430B-9C7D-DA6310D86052#_ftn2\" name=\"_ftnref2\">[2]<\/a><\/p>\n<p>Presentations: Kant, Bell, Greenberg<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Suggested reading:<\/strong><\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>-Formalism PDF<\/p>\n<p>-My \u201cKant help\u201d document<\/p>\n<p>-Greenberg, \u201cAvant-Guard and Kitsch\u201d<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><span style=\"color: #0000ff\"><strong>WEEK 3: September 5<sup>th<\/sup><\/strong><\/span><\/p>\n<p><strong>TOPIC: Concepts of beauty and art: Hume and Weitz<\/strong><\/p>\n<p>-Hume, Of the Standards of Taste \u00a0(Page 12-22 of PDF, everything else is background you might want to read)<\/p>\n<p>-Weitz PDF<\/p>\n<p>Presentations: Hume, Weitz<\/p>\n<p>&nbsp;<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Suggested reading:<\/strong><\/p>\n<p>-Pages 1-12 of Hume PDF<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #0000ff\"><strong>WEEK 4: September 12<sup>th<\/sup><\/strong><\/span><\/p>\n<p><strong>TOPIC: Concepts of beauty and art: Danto and Dutton <\/strong><\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>-Danto PDF (<a href=\"http:\/\/faculty.georgetown.edu\/irvinem\/visualarts\/Danto-Artworld.pdf)\">http:\/\/faculty.georgetown.edu\/irvinem\/visualarts\/Danto-Artworld.pdf)<\/a><\/p>\n<p>-Dutton PDF<\/p>\n<p>Presentations: Danto, Dutton<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Suggested reading:<\/strong><\/p>\n<p>-Davies pdf contra Dutton<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #0000ff\"><strong>WEEK 5: September 19<sup>th<\/sup><\/strong><\/span><\/p>\n<p><strong>TOPIC: The sublime<\/strong><\/p>\n<p>-Burke, Selections from <em>A Philosophical Enquiry into the Origin of Our ideas of the Sublime and the Beautiful (<a href=\"https:\/\/blogs.warwick.ac.uk\/files\/rvpsupperclub\/burke_sublime_and_the_beautiful.pdf\">https:\/\/blogs.warwick.ac.uk\/files\/rvpsupperclub\/burke_sublime_and_the_beautiful.pdf<\/a>)<\/em><\/p>\n<p>-Kant, Selections (PDF)<\/p>\n<p>-Presentations: Burke, Kant, Crawford<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Suggested reading:<\/strong><\/p>\n<p>Donald Crawford, \u201cArt &amp; Nature: Some Dialectical Relationships\u201d (PDF)<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><span style=\"color: #0000ff\"><strong>WEEK 6: September 26<sup>th<\/sup><\/strong><\/span><\/p>\n<p><strong>&lt;SECOND GROUPS ASSIGNED&gt;&lt;GROUP ASSIGNMENT NATURE &amp; SUBLIME&gt;<\/strong><\/p>\n<p><strong>TOPIC: Tolstoy<\/strong><\/p>\n<p><strong>Tolstoy <\/strong><em>What is Art?<\/em>((<a href=\"http:\/\/web.csulb.edu\/~jvancamp\/361r14.html)\">http:\/\/web.csulb.edu\/~jvancamp\/361r14.html)<\/a><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 MUSEUM VISIT<\/strong><\/p>\n<p><strong><sup>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0<\/sup><\/strong><\/p>\n<p><span style=\"color: #ff0000\">&lt;FIRST GROUP PROJECT DUE FRIDAY&gt;<\/span><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><span style=\"color: #0000ff\"><strong>WEEK 7: October 3rd<\/strong><\/span><\/p>\n<p><strong>TOPIC: Aesthetics of Natural Environments<\/strong><\/p>\n<p>Allen Carlson, \u201cAesthetic appreciation of the natural environment\u201d (AA)<\/p>\n<p>Noel Carroll, \u201cOn being moved by nature\u201d (AA)<\/p>\n<p>Presentations: Carlson, Carroll, Budd<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Suggested reading:<\/strong><\/p>\n<p>Malcolm Budd (AA)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #0000ff\"><strong>WEEK 8: October 10<sup>th<\/sup><\/strong><\/span><\/p>\n<p><strong>TOPIC: <span style=\"color: #ff0000\">MIDTERM<\/span> \/ CATCH-UP <\/strong><\/p>\n<p>You will not need to come to class for the midterm. The previous week (WEEK 7) I will give you a list of questions that might show up on the midterm. The morning of September 20<sup>th<\/sup>I will send you which questions to answers for the midterm. You will hand in your answers by Friday at 11:59pm via CANVAS.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><span style=\"color: #0000ff\"><strong>WEEK 9: October 17<sup>th<\/sup><\/strong><\/span><\/p>\n<p><strong>Topic: Music<\/strong><\/p>\n<p>Scruton, \u201cThe Decline of Musical Culture\u201d (AA)<\/p>\n<p>Gracyk, \u201cMusic\u2019s worldly uses, or how I learned to top worrying and to love Led Zepplin\u201d (AA)<\/p>\n<p>&nbsp;<\/p>\n<p>RECOMMENDED READING TBD (based on student interest)<\/p>\n<p><span style=\"color: #ff0000\">&lt;SECOND GROUP PROJECT DUE: PRESENT IN CLASS&gt;<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #0000ff\"><strong>WEEK 10:\u00a0 October 24<sup>th<\/sup><\/strong><\/span><\/p>\n<p><strong>TOPIC: Problems in art \u2013 public art<\/strong><\/p>\n<p><strong>&lt;THIRD GROUPS ASSIGNED&gt;<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>Hein, \u201cWhat is public art? Time, place, and meaning\u201d (AA)<\/p>\n<p>Kelly: \u201cPublic art controversy: the Serra and Lin cases\u201d (AA)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #0000ff\"><strong>WEEK 11: October 31st <\/strong><\/span><\/p>\n<p><strong>Topic: Emotions in Film \/ HORROR<\/strong><\/p>\n<p>-Walton (AA)<\/p>\n<p>-Carroll, \u201cWhy Horror?\u201d (AA)<\/p>\n<p>&nbsp;<\/p>\n<p>RECOMMENDED READING<\/p>\n<p>-Gaut, \u201cOn Horror\u201d (AA)<\/p>\n<p>-Cynthia Freeland \u201cRealistic Monsters\u201d (PDF)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000\">\u00a0 Nov 2 project proposal due. You will present these on Nov 7<sup>th<\/sup>in class.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #0000ff\"><strong>WEEK 12: November 7<sup>th<\/sup><\/strong><\/span><\/p>\n<p><strong>TOPIC: Human Beauty <\/strong><\/p>\n<p>Anne Eaton, \u201cBodily Taste and Fat Oppression\u201d (PDF)<\/p>\n<p>Sheila Lintott and Sherri Irvin, <em>\u201cSex Objects and Sexy Subjects: A Feminist Reclamation of Sexiness\u201d<\/em>\u00a0(PDF)<\/p>\n<p>&nbsp;<\/p>\n<p>RECOMMENDED READING<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 &#8211;<\/strong>Ted Cohen, \u201cPersonal Style\u201d (PDF)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000\"><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Presentation of topics for papers (prep 1-2 elevator pitch)<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #0000ff\"><strong>WEEK 13: November 14<sup>th<\/sup><\/strong><\/span><\/p>\n<p><strong>TOPIC: Fakes and Forgeries<\/strong><\/p>\n<p>Lessing, \u201cWhat is wrong with a forgery?\u201d (AA)<\/p>\n<p>Dutton, \u201cArtistic Crimes\u201d (AA)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000\">Third Group Project: Public Art Presentations in Class.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>RECOMMENDED READING<\/p>\n<p>-Horowitz (AA)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #0000ff\"><strong>WEEK 14: November 21st<sup>\u00a0(Wednesday before Thanksgiving) <\/sup><\/strong><\/span><\/p>\n<p><strong>TOPIC: Fakes and Forgeries<\/strong><\/p>\n<p>Watch: <em>F for Fake <\/em>in class<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000\">&lt;Workshop outlines of papers&gt;<\/span><\/p>\n<p><span style=\"color: #ff0000\">&lt;DUE: Outline of papers&gt;<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #0000ff\"><strong>Week 15: November 28<sup>th<\/sup><\/strong><\/span><\/p>\n<p><strong>TOPIC: Jokes<\/strong><\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>Cohen, Jokes (PDF)<\/p>\n<p>Anderson, Racist jokes (PDF)<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000\"><strong>PAPER DUE DEC 3<sup>nd<\/sup><\/strong><\/span><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><span style=\"color: #ff0000\"><strong>FINAL EXAM TBD<\/strong><\/span><\/p>\n<p><a href=\"\/\/3A1530A8-72D2-430B-9C7D-DA6310D86052#_ftnref1\" name=\"_ftn1\">[1]<\/a>Documented illnesses\/emergencies do not include car trouble, work schedules, or family trips\/vacations.<\/p>\n<p><a href=\"\/\/3A1530A8-72D2-430B-9C7D-DA6310D86052#_ftnref2\" name=\"_ftn2\">[2]<\/a>If you want to do your presentation on Bell, please read the longer article here: <a href=\"http:\/\/philosophy.lander.edu\/intro\/articles\/bell-a.pdf\">http:\/\/philosophy.lander.edu\/intro\/articles\/bell-a.pdf<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>PHI 3800 U02: Aesthetics \u2013 Fall 2018 Philosophy &#8211;\u00a0PDF Syllabus Instructor: Dr. Elizabeth Scarbrough Class: Wednesdays 2-4:45 Location: OE 100 Office Hours: T\/Th 3:45-4:45 W 1-2, DM340B Email: escarbro@fiu.edu Web Site: http:\/\/myweb.fiu.edu\/escarbro &nbsp; &nbsp; Course Description: This class is an introduction to aesthetic theory. While we will spend a considerable amount of time discussing paintings [&hellip;]<\/p>\n","protected":false},"author":422,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-148","page","type-page","status-publish","hentry","post-preview"],"_links":{"self":[{"href":"https:\/\/myweb.fiu.edu\/escarbro\/wp-json\/wp\/v2\/pages\/148","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/myweb.fiu.edu\/escarbro\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/myweb.fiu.edu\/escarbro\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/myweb.fiu.edu\/escarbro\/wp-json\/wp\/v2\/users\/422"}],"replies":[{"embeddable":true,"href":"https:\/\/myweb.fiu.edu\/escarbro\/wp-json\/wp\/v2\/comments?post=148"}],"version-history":[{"count":0,"href":"https:\/\/myweb.fiu.edu\/escarbro\/wp-json\/wp\/v2\/pages\/148\/revisions"}],"wp:attachment":[{"href":"https:\/\/myweb.fiu.edu\/escarbro\/wp-json\/wp\/v2\/media?parent=148"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}